Under neutralised mark

Access operates both in and out of zero-sum constructions, all at a time. If the instrument (and therefore instrumental) is technology, the directed act of picking up and placing down renders a technic. There must first be identification of an instrumentality, made visible in conflict, where the border that delimits the world through use and disuse becomes an interface. The interface is a line of permeable exchange, the figuration of each side permuted at threshold. In precarity—inevitable precarity, for such an artefact designed with transient function—exists irony.

Insistence is low; bypass trivial.

Like a solution, homogeneous and heterogeneous (inverted upon local examination), its character alters by proximity. Existing in perpetual competition, the oppositional logic of inaccess distethers from exclusion.